PAINTINGS
Acrylic on canvas, mostly large format. Works marked AR are hybrid media art: the canvas carries an augmented layer you open with a phone camera.
SELECTED
four key works
AR 
AR 
THE TAPESCREEN
three canvases · acrylic on canvas · 2025Beasts from a medieval bestiary, repainted as creatures of the screen — a monster is never just a monster, it is what a culture decides to be afraid of.
SOBAKENS SERIES →
two canvases · acrylic · 80 × 40 cm (h × w) each · 2024
YESTERDAY STILL LIVES
three canvases · acrylic, colour pencils · 100 × 100 cm each · 2025
MZUNGU SERIES →
mix media · 135 × 120 cm (h × w) each · 2021Mzungu means "one who wanders" — and, among the Bantu peoples, a person with white skin: a stranger among their own. The series follows one traveller's day through Africa, from the first drumbeat to the farewell, and reflects the moment of cultural fusion: African flavour seen through a European eye, with Fauvist colour and the fragmented composition of primitive painting.
NEW PERUN — THE GOD
OF THUNDER AND WAR SERIES →
triptych · oil on textile · 180 × 95 cm (h × w) each · 2023 Perun was the Slavic god of thunder and war. The triptych asks who took his place: the idol still stands, still demands, and the chaos around it is arranged by people who believe they are only obeying.
KINDERLINES →
four canvases · 40 × 40 cm (h × w) each · 2024
OTHER WORKS
AR 
A lithopedion — a stone baby — is what happens when a fetus dies in the body, is too large to be reabsorbed, and calcifies: the body walls it off to protect itself from its own dead tissue.
SEE THE
AR LAYER
Four steps — and 3D objects appear right in front of you. Nothing to install: the AR layer runs in your phone browser.
ON THE DISTANCE
diptych · mix media · 135 × 120 cm (h × w) each · 2020Inspired by quarantine and its lockdown — disconnection and isolation from the outside world. Our loved ones are a huge layer of life that nothing can replace. A story about two souls striving for each other, with transport as the thread connecting them.
EARLY STUDIES
studio work outside the main seriesOil and gouache from 2019–2020, painted before the move to Serbia — where the figure and the colour came from.
