My first language: printmaking and drawing. I hold an MA with Honours in Graphic Arts from the Surikov Institute — much of it printmaking — linocut, lithography, monotype — including a series drawn during a field expedition to Tanzania.
Shown at the 4th International Print Biennale, Yerevan (2023) · International Biennale of Lithography, Belgrade (2022)
A graphic story about artificial intelligence displacing the human: from the most full-blooded, life-filled print towards sterility and cold vacuum — from soft hand drawing to soulless machine structures. Real neurons printed alongside the primitive schemes of a neural network layer.







Dedicated to the images of the African continent and to the wild, animal energy that opposes the progress crushing us. Built on silhouette, laconic in means: somewhere between ancient petroglyphs and the French modernists.






An unusual story about people with an unusual perception of the world — begun after Oliver Sacks' "The Man Who Mistook His Wife for a Hat". Incompatible aggressive colours and the simplest forms call attention to the conflict.



Pieces outside the series.





